{"id":591,"date":"2017-07-19T11:14:06","date_gmt":"2017-07-19T18:14:06","guid":{"rendered":"https:\/\/synthfool.com\/kevin\/?p=591"},"modified":"2017-07-19T11:14:53","modified_gmt":"2017-07-19T18:14:53","slug":"arp-odyssey-white-or-black","status":"publish","type":"post","link":"https:\/\/synthfool.com\/kevin\/arp-odyssey-white-or-black\/","title":{"rendered":"Arp Odyssey: White or Black?"},"content":{"rendered":"<p>File date: 11\/26\/2004<\/p>\n<h2>Why the white Arp Odyssey is not always &#8220;the better Odyssey&#8221;<\/h2>\n<p><\/p>\n<p>1. White Odys have more trimmer adjustments and are more difficult to calibrate.<\/p>\n<p>2. White Odys used a three buss keyboard using silver plated spring contacts.<br \/>\nLater units used a two buss action with gold plated J-wires.<br \/>\nTherefore, black Odys have less contacts necessary, better conductivity, less or no tarnish, self-wiping contacts and are easier to adjust and repair. <\/p>\n<p>3. It&#8217;s painted thinly. The board standoffs cause front panel paint cracking. <br \/>\nBlack Odys are painted more thickly.<\/p>\n<p>4. White Odys are older and thus their sliders and switches are more worn and have had more time to accumulate dust.<br \/>\nCapacitors, resistors, trimmers, rubber keyboard standoffs and bushings are older too.<br \/> Older synths on average have also seen more service, more wear and vibration.<\/p>\n<p>5. It&#8217;s white. This was changed to black later because it was too annoying on brightly lit stages.<\/p>\n<p>6. White Odys have their power switch mounted to a PCB.<br \/>\nRemoval of that PCB is more difficult than in a black Ody.<\/p>\n<p>7. White Odys have fewer interface jacks.<\/p>\n<p>8. White Odys actually sound *less* Moogy than black ones because their filters are -12db, instead of -24db like Moogs.<br \/>\nIt should also be noted that Moog never sued Arp over the filter design.<\/p>\n<p>9. White Odys have a transistor noise source, while later black Odys used a zener diode. <br \/>Zeners make a more consistent noise with less spikes that can damage speakers.<\/p>\n<p>10. White Odys have slide switches which have a bracket in front of the contacts, making them harder to clean than black Odys.<\/p>\n<p>11. The keyboard connector on Black Odys is one piece.<br \/>\nWhite Odys have the same connector, plus an extra wire attached to the extra buss of their three buss keyboard. <\/p>\n<p>12. Later black Odys have a removable power cord and a hinged front panel making service easier. Instead of 14 screws to remove, there&#8217;s 4. <\/p>\n<p>13. Later black Odys have PPC and can thus inject the LFO equally into both oscillators simultaneously while playing. Impossible on a white Ody.<\/p>\n<p>14. White Odys use two additional digital CMOS chips in their oscillators, making them more unreliable and less analog than black ones.<\/p>\n<p>15. White Odys used smaller rubber feet, which can shear off more easily than black Odys.<\/p>\n<p>16. White Ody panels used no welds. Black Odys welded their keyboard mount pieces and corner seams.<\/p>\n<p>All in all, black Odysseys are more reliable, more stable and cheaper to buy and maintain.<br \/>\nIt&#8217;s only logical that Arp strived to *improve* the design over the years.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>File date: 11\/26\/2004 Why the white Arp Odyssey is not always &#8220;the better Odyssey&#8221; 1. White Odys have more trimmer adjustments and are more difficult to calibrate. 2. White Odys used a three buss keyboard using silver plated spring contacts. Later units used a two buss action with gold plated J-wires. Therefore, black Odys have [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[54,9,18,66,67,27],"class_list":["post-591","post","type-post","status-publish","format-standard","hentry","category-ideas","tag-arp","tag-ideas-2","tag-kevin","tag-ody","tag-odyssey","tag-writing"],"_links":{"self":[{"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/posts\/591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/comments?post=591"}],"version-history":[{"count":1,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/posts\/591\/revisions"}],"predecessor-version":[{"id":592,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/posts\/591\/revisions\/592"}],"wp:attachment":[{"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/media?parent=591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/categories?post=591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/tags?post=591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}