{"id":443,"date":"2016-08-13T00:32:58","date_gmt":"2016-08-13T07:32:58","guid":{"rendered":"https:\/\/synthfool.com\/kevin\/?p=443"},"modified":"2016-08-13T00:32:58","modified_gmt":"2016-08-13T07:32:58","slug":"kevins-roland-story","status":"publish","type":"post","link":"https:\/\/synthfool.com\/kevin\/kevins-roland-story\/","title":{"rendered":"Kevin&#8217;s Roland Story"},"content":{"rendered":"<p>File date: January 11, 2014<\/p>\n<blockquote><p>My Roland hiring story:<\/p>\n<p>I was about 22, quite broke and at the time programming my own Apple II graphic adventure game.<br \/>\nI would temp at different companies in the area using a temp agency.<br \/>\nOf those, I had one job where I assembled wiring harnesses in a room filled with only women.<br \/>\nAnother was at ITT Cannon, a famous maker of connectors.<br \/>\nIt was there I stayed the longest.<br \/>\nI was given a room with a bench and some parts and a much older gentleman would give me a schematic and tell me to make the board.<br \/>\nThese boards were all done using wirewrap methods, not printed circuits or soldered.<br \/>\nAs it turns out, I was making devices to shut down or monitor huge machines when they got jammed, out of parts or for whatever reason, wrong.<br \/>\nIt was the first time I used an IR thermometer.<br \/>\nOne you just point at something and get a temperature.<\/p>\n<p>My boss was a somewhat scattered brain, but highly focus-able man named Eduardo Miranda.<br \/>\nIn the last 30-60 mins of the day, he&#8217;d teach me electronic theory on a blackboard.<br \/>\nI never expected that, but it was nice to be in a class of one and able to ask questions directly. He helped mentor me beyond what I had been learning since I was very young.<\/p>\n<p>ITT was interesting.<br \/>\nIt was a secure company with badges required and it was filled with dimly lit warehouses of oily and steamy machines.<br \/>\nGoing into the warehouses became a real drag.<br \/>\nWhile I got to sit by myself and make circuits, I also had to install and calibrate them.<br \/>\nI also had to work on antique computer called a Data General Nova where it had rows of boards about a foot square. Half were originals, half were to control all the machines and again, wirewrapped.<br \/>\nSince the environment was oily and steamy and these boards were filled with thousands of connections, working on this beast became a whack-a-mole type duty.<br \/>\nI was pretty fed up, jobs were easy to get and I left.<br \/>\nOnly afterward, did I learn that they wanted to hire me full-time and at a substantial raise with benefits.<\/p>\n<p>My next job was soldering boards.<br \/>\nAgain, all women around me.<br \/>\nThat was an ok job, but they listened to the oldies radio stations and that meant hearing 1950&#8217;s music all day.<br \/>\nWhatever, it was a cake job.<\/p>\n<p>I also was traveling to every musical instrument repair shop in LA.<br \/>\nI visited them all and all turned me down.<br \/>\nOne place was called Hi-Tech Electronics. It was owned by JL Cooper, a prominent engineer. But he didn&#8217;t fix synths, he had others man the shop.<br \/>\nOne of my neighbors at the time was also Michael Basich, a one-time member of Oingo Boingo.<br \/>\nHe was already a tech at Hi-Tech.<br \/>\nBut the guy I met was named Tim.<br \/>\nTim had an attitude.<br \/>\nHe had an open JP8 in front of him and with a smirk asked if I&#8217;d ever worked on anything so complex before, basically laughing at me for his assumed answer.<br \/>\nI told him yes, I had. He brushed me off. <\/p>\n<p>Another was a guy on Sunset blvd in guitar row. (if you&#8217;re from Hollywood, you know the area.)<br \/>\nHe had an upstairs shop that was tiny, but he secured the repairs from the Guitar Center across the street and had gear up to his eyeballs.<br \/>\nI don&#8217;t know if he was on drugs or not, but he couldn&#8217;t look me in the eye, was very jittery and gave me the spooks.<br \/>\nFinally he said, if you can fix that, you can have a job.<br \/>\nWhat he pointed to was a Teac Portastudio.<br \/>\nIt seemed that when you put it in a certain mode, two of the meter lights went out.<br \/>\nI told him that was normal. It was in two track playback mode and even showed him it in the owners manual right next to it.<br \/>\nInsulted, he got huffy and I didn&#8217;t get that job either.<\/p>\n<p>I also asked Paul Morte who had secured all the repair work for Yamaha.<br \/>\nHe basically blew me off too, but admit I only spoke to him on the phone and should have driven down to his place.<\/p>\n<p>Around this time one nite, I was up late programming my Apple.<br \/>\nIt was about 10:30PM and the phone rang.<br \/>\nIt was my friend Bruce in a semi-panic.<br \/>\nThe problem was that he had this friend named Forrest who worked at a newly formed division of Roland called Roland DG, they were about to start exhibiting at Comdex and had no video demo for their new line of monitors.<br \/>\nThey were about to display video monitors with no video.<br \/>\nNot good.<\/p>\n<p>Bruce asked if I could make a self-demoing slide show of various pics on an Apple II and get it to them at Comdex the next day.<br \/>\nSo I did just that.<br \/>\nI thought, wow\u2026 well, yeah I can do this, but how do I get there?<br \/>\nI had no money to fly to Las Vegas.<br \/>\nI begged my mom.<br \/>\nShe loaned the money. It was about $80 at the time.<br \/>\nI made a slide show that held about 30 nice display pics, repeated automatically and via a 6502 machine-language routine, I made each photo display the name &#8220;Roland&#8221; in the corner as an overlay.<br \/>\nIt worked fine though I actually made a mistake- I used Roland&#8217;s Musical Logo; Roland DG had their own logo, but everyone was still happy.<\/p>\n<p>The next morning I put on my best clothes and flew out to Comdex by myself with only a few dollars in my pocket for lunch, a disk and a return ticket.<br \/>\nBy the way, Comdex is huge. It&#8217;s covered at the same time in several hotels.<br \/>\nI had to do a lot of walking, but got to the right hotel where Roland had an Apple computer waiting.<br \/>\nThe display installation worked well and so went the first showing of Roland DG at Comdex.<\/p>\n<p>As I was leaving, I met Forrest and we began chatting, but his face suddenly went pale.<br \/>\nHe said he saw something he&#8217;d never seen.<br \/>\nThe president of Roland US, Tom Beckman, had excused himself from speaking with some Japanese men and was walking in our direction.<br \/>\nTom came over to thank me for doing the slide show and asked if he owed me anything.<br \/>\nIt was at this point that I knew I had to say something.<br \/>\nI quickly blurted out &#8220;Well, I need a job!&#8221;<br \/>\nTom stopped and listened as I explained that I&#8217;d already been fixing synths for years, knew digital stuff and could program.<br \/>\nIt all came out as one sentence and I felt foolish, but I was nervous and also had a plane to catch soon.<br \/>\nBut it was a now or never moment and even Forrest stayed silent as he appeared to witnessing something he&#8217;d never seen before.<\/p>\n<p>Tom calmly pulled out a Roland business card with his name on it and wrote down a name on the back: Jimmy Mothersbaugh.<br \/>\nHe told me to call Jimmy when I got back in town. <\/p>\n<p>I think I waited until Comdex was over, but called the number and asked for Jimmy.<br \/>\nA man came on the phone and basically said I was hired.<br \/>\nCould I start the following week?<br \/>\nI said goodbye to the ladies of soldering and drove out to Roland on what did turn out to be a new job. They gave me my own tech room, a small tour and introductions to various people. <\/p>\n<p>As it appears, Jimmy was told by Tom to check me out or hire me and Jimmy did just that. I went to the top first and everyone below was intimidated or following orders.<\/p>\n<p>For what it&#8217;s worth, Jimmy is actually Jim Mothersbaugh and Devo&#8217;s first drummer, brother to the other members of Devo. Through the years at Roland, I&#8217;d get to see and hear much of what Devo was doing via Jim. <\/p>\n<p>But that first day, Jim was apprehensive.<br \/>\nI had never given him a resume.<br \/>\nI never filled out a job application.<br \/>\nHe told me, &#8220;You know if you only last here a short time, it will at least look good on your resume.&#8221;<br \/>\nI felt crushed, but knew he didn&#8217;t know much about me then either.<br \/>\nI stayed there from late 1984 to early 1988.<br \/>\nFor a long time, I was the only authorized service center for Roland DG monitors and plotters. They had none authorized anywhere else in the US.<br \/>\nAll the other techs were very happy about this too.<br \/>\nThey wanted to get back to fixing synths and boss pedals and hated the DG line and management.<br \/>\nMy record of video monitors repaired in one day is 25.<br \/>\nMost were ok, but all had to be unboxed, checked and reboxed.<br \/>\nMany did need legitimate repairs also. <\/p>\n<p>But I got bored at Roland.<br \/>\nEvery year they&#8217;d release 60-80 new products and we had to fix them in addition to the old ones. Parts were everywhere and stacked higher than anyone could reach without a ladder.<br \/>\nWe were out of space. The file cabinet with service manuals was packed.<br \/>\nWe also had to install and tear down the Namm show displays each year, which got progressively bigger in production with stages and huge displays.<br \/>\nThe years went on and I felt like I was going nowhere there.<br \/>\nDepressed over a recent girlfriend breakup and wooed by a (so called) friend to work at his company and open my own shop, I left Roland.\n<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>File date: January 11, 2014 My Roland hiring story: I was about 22, quite broke and at the time programming my own Apple II graphic adventure game. I would temp at different companies in the area using a temp agency. Of those, I had one job where I assembled wiring harnesses in a room filled [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[29,18,14,35,27],"class_list":["post-443","post","type-post","status-publish","format-standard","hentry","category-ideas","tag-electronics","tag-kevin","tag-roland","tag-technician","tag-writing"],"_links":{"self":[{"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/posts\/443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/comments?post=443"}],"version-history":[{"count":1,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/posts\/443\/revisions"}],"predecessor-version":[{"id":444,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/posts\/443\/revisions\/444"}],"wp:attachment":[{"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/media?parent=443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/categories?post=443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/synthfool.com\/kevin\/wp-json\/wp\/v2\/tags?post=443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}